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LARRY POLANSKY / World's Longest Melody (CD)
New World Records (80700-2)
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LARRY POLANSKY / World's Longest Melody (CD)
LARRY POLANSKY の『World's Longest Melody』。米国西海岸の重要な作曲家ラリー・ポランスキーが NEW WORLD RECORDS より2010年に発表したアルバム。
''The World's Longest Melody is a collection of experimental music written for the guitar by composer/guitarist Larry Polansky (b. 1954). The guitar has long been an important component in Polansky's musical explorations, and this CD has grown from the enthusiasm for his work by the musicians of the Belgian electric guitar quartet ZWERM. The acoustic and electric guitar are featured both solo and in small and large combinations; a few pieces not originally conceived for the instrument are also presented here in guitar-oriented guise. These works explore new techniques of experimental intonation, computer composition, and extraordinary and new modes of playing the guitar. It includes the premiere recording of his radically difficult 'for jim, ben and lou' (harp, guitar, and percussion) in which the percussionist retunes the strings to different just intonations as the piece progresses. Given the endlessly fluent and fertile nature of Polansky's imagination one is somehow reluctant to describe any of his individual compositions as a masterpiece: but certainly this work powerfully encapsulates a wide range of his preoccupations and integrates them into a coherent whole that could not be mistaken for the work of any other composer.''
''The World's Longest Melody is a collection of experimental music written for the guitar by composer/guitarist Larry Polansky (b. 1954). The guitar has long been an important component in Polansky's musical explorations, and this CD has grown from the enthusiasm for his work by the musicians of the Belgian electric guitar quartet ZWERM. The acoustic and electric guitar are featured both solo and in small and large combinations; a few pieces not originally conceived for the instrument are also presented here in guitar-oriented guise. These works explore new techniques of experimental intonation, computer composition, and extraordinary and new modes of playing the guitar. It includes the premiere recording of his radically difficult 'for jim, ben and lou' (harp, guitar, and percussion) in which the percussionist retunes the strings to different just intonations as the piece progresses. Given the endlessly fluent and fertile nature of Polansky's imagination one is somehow reluctant to describe any of his individual compositions as a masterpiece: but certainly this work powerfully encapsulates a wide range of his preoccupations and integrates them into a coherent whole that could not be mistaken for the work of any other composer.''
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