Portraits GRM より FELICIA ATKINSON の『Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)』と、RICHARD CHARTIER の『Recurrence.Expansion』をカップリングしたヴァイナル。
FELICIA ATKINSON の『Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)』と、RICHARD CHARTIER の『Recurrence.Expansion』を収録したヴァイナル。INA GRM と Editions MEGO による新たなコレクションである Portraits GRM シリーズから。Shelter Press からのリリースで高い評価を得る FELICIA ATKINSON と、WILLIAM BASINSKI とのコラボレーション、Line、Room40 などからのリリースで人気の RICHARD CHARTIER をカップリング。Félicia Atkinson: »Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)« (2021)
Félicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.
Richard Chartier: »Recurrence.Expansion« (2020)
Richard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence. Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis.
Tracklist
1. Félicia Atkinson / Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) 20' 18''
2. Richard Chartier / Recurrence.Expansion 20' 00''
REVIEW
Related Items
-
-
DIE LIKE A DOG / Fragments of Music, Life and Death of Albert Ayler (2LP)
-
BRÖTZMANN | VAN HOVE | BENNINK & MANGELSDORFF / Outspan No. 1 (LP)
-
-
PETER BRÖTZMANN / MISHA MENGELBERG / HAN BENNINK - 3 Points And A Mountain (LP)
-
-
-
柳ジョージ+NADJAバンド / 祭りばやしが聞こえる (George Yanagi+NADJA BAND / Matsuri Bayashi ga Kikoeru) (LP)
-
-
-
-
森山威男 / スマイル (Takeo Moriyama / Smile) (LP - Clear Sky Blue Vinyl)